The classical hollywood cinema film style mode of production to 1960. The Classical Hollywood Cinema: Film Style & Mode of Production to 1960 2019-01-25

The classical hollywood cinema film style mode of production to 1960 Rating: 7,8/10 1240 reviews

The Classical Hollywood Cinema : Film Style and Mode of Production To 1960 by K… 9780231060554

the classical hollywood cinema film style mode of production to 1960

Occasionally, the writing on style can be pompous and pseudo-intellectual, finding academic-sounding words when simple words would do. I see this book as a historical encyclopedia where the authors act as mere chroniclers. The relations between film style and mode of production are, according to the authors, reciprocal and mutually influencing. Cuts that do not adhere to the 30-degree rule, known as , are disruptive to the illusion of temporal continuity between shots. How films are conceived,planned, and produced leaves a mark upon the films, directly and structurally.

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Summary/Reviews: The classical Hollywood cinema :

the classical hollywood cinema film style mode of production to 1960

Cutting was extremely limited, and mostly consisted of close-ups of writing on objects for their legibility. This is still a commendable effort on a larger scale, but reductive and uninspiring one for those who try to dissect and unpack the plethora of different stylistic ways in which films convey meaning to the spectator. Most Hollywood pictures from the late 1920s to 1960s adhered closely to a genre—Western, comedy, musical, animated cartoon, and biographical picture —and the same creative teams often worked on films made by the same studio. Janet Staiger is Assistant Professor of Cinema Studies at New York University. The authors shy away from any opportunity to analyze the style and the techniques of classic Hollywood filmmaking, choosing instead to argue that nearly everything in the way Hollywood films before the 60s were made was influenced by technological developments and changes.

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The classical Hollywood cinema : film style & mode of production to 1960 (Book, 1985) [fentonia.com]

the classical hollywood cinema film style mode of production to 1960

Narrative 'rhythm' can be thought of as a way in which narration focuses and contro A useful survey of Hollywood film production up to 1960, considering style, organizational modes of production, and technology, including the effects of technology on style. They describe how, over the course of its history, Hollywood developed distinct modes of production in a constant search for maximum efficiency, predictability and novelty. A book that has been read but is in good condition. They are causal agents motivated by psychological rather than social concerns. Set apart by its combination of theoretical analysis and empirical evidence, this book is the standard work on the classical Hollywood cinema style of film-making from the silent era to the 1960s. The film initiated so many advances in American cinema that it was rendered obsolete within a few years. Some of them also had careers in other countries e.

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The Classical Hollywood Cinema: Film Style and Mode of Production to 1960 by David Bordwell

the classical hollywood cinema film style mode of production to 1960

A studio could gamble on a medium-budget feature with a good script and relatively unknown actors: , directed by and regarded by some as the greatest film of all time, fits that description. In other national schools, a handful of filmmakers worked within sharply contained historical circumstances for only a few years. Though 1913 was a global landmark for film-making, 1917 was primarily an American one. Film Style and Technology: History and Analysis. The authors trace such topics as style, economics, and technology over time, demonstrating how significant changes occurrred in Hollywood from the earliest days through the sixties A useful survey of Hollywood film production up to 1960, considering style, organizational modes of production, and technology, including the effects of technology on style.

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The classical Hollywood cinema : film style & mode of production to 1960 (Book, 1985) [fentonia.com]

the classical hollywood cinema film style mode of production to 1960

In the world, generally and America specifically, the influence of Griffith on film-making was unmatched. The E-mail message field is required. Occasionally, the writing on style can be pompous and pseudo-intellectual, finding academic-sounding words when simple words would do. Archived from on 31 May 2007. Most of these film-makers started as directors on the late 19th century stage, and likewise most film actors had roots in vaudeville or theatrical melodramas.

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The Classical Hollywood Cinema: Film Style & Mode of Production to 1960

the classical hollywood cinema film style mode of production to 1960

It was also the year when the first true film artist, according to started his short, but prolific, career. The 180-degree and 30-degree rules are elementary guidelines in film-making that preceded the official start of the classical era by over a decade, as seen in the pioneering French film. The characters in Classical Hollywood Cinema have clearly definable traits, are active, and very goal oriented. Visually, early narrative films had adapted little from the stage, and their narratives had adapted very little from vaudeville and melodrama. The authors trace such topics as style, economics, and technology over time, demonstrating how significant changes occurrred in Hollywood from the earliest days through the sixties.

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Classical Hollywood cinema

the classical hollywood cinema film style mode of production to 1960

Films worldwide began to noticeably adopt visual and narrative elements which would be found in classical Hollywood cinema. The authors trace such topics as style, economics, and technology over time, demonstrating how significant changes occurrred in Hollywood from the earliest days through the sixties. But to suggest that Hollywood cinema constitutes a group style seems more risky. Utilizing actors, events, causal effects, main points, and secondary points are basic characteristics of this type of narrative. This narrative is structured with an unmistakable beginning, middle and end, and generally there is a distinct resolution.

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Summary/Reviews: The classical Hollywood cinema :

the classical hollywood cinema film style mode of production to 1960

The authors trace such topics as style, economics, and technology over time, demonstrating how significant changes occurrred in Hollywood from the earliest days through the sixties. The majority of shots in a classical film focus on or medium-long and. . They are here listed by the category they are most readily recognized as. In a series of lucidly written and carefully argued accounts, the authors describe the systematic organization of mass film production, a series of calculated technological inventions and stylistic innovations, and a set of guiding aesthetic principles borrowed from the more traditional arts and adapted to the specific features of the film medium. New York: Columbia University Press. Historians routinely speak of group style in other arts: classicism or the Baroque in music, Impressionism or Cubism in painting, Symbolism or Imagism in poetry.

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The Classical Hollywood Cinema: Film Style & Mode of Production to 1960

the classical hollywood cinema film style mode of production to 1960

The relations between film style and mode of production are, according to the authors, reciprocal and mutually influencing. The front cover has a small bent edge and a frew pages that are highlighted. New Jersey: Rutgers University Press. Similarly, actors were mostly contract players. This mode of production, with its reigning star system bankrolled by several key studios, had preceded sound by several years. Jump cuts are allowed in the form of the , which does not change the angle of shooting at all, but has the clear purpose of showing a perspective closer or farther from the subject, and therefore does not interfere with temporal continuity. Incredibly dry and factual in essence.

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An excessively obvious cinema

the classical hollywood cinema film style mode of production to 1960

According to the , cuts in the angle that the scene is viewed from must be significant enough for the viewer to understand the purpose of a change in perspective. To some, it began with , which was released in 1927 and increased box-office profits for films, as sound was introduced to feature films. The narrative is a chain of cause and effect with the characters being the causal agents — in classical style, events do not occur randomly. Persons or objects of significance are mostly in the center part of the picture and never out of focus. The authors shy away from any opportunity to analyze the style and the techniques of classic Hollywood filmmaking, choosing instead to argue that nearly everything in the way Hollywood films before the 60s were made was influenced by technological developments and changes. This treatment of space consists of four main aspects: centering, balancing, frontality, and depth. Hollywood has also exploited our search for temporal meaning by shaping the felt duration of our experience.

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